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The style of Achebe's fiction draws heavily on the oral tradition of the Igbo people.[132] He incorporates folk tales into his stories, exposing community values in both the content and the form of the storytelling. For example, the tale about the Earth and Sky in Things Fall Apart emphasises the interdependency of the masculine and the feminine.[133][A 7] Although Nwoye enjoys hearing his mother tell the tale, Okonkwo's dislike for it is evidence of his imbalance.[133] Achebe used proverbs to describe the values of the rural Igbo tradition. He includes them throughout the narratives, repeating points made in conversation. Critic Anjali Gera notes that the use of proverbs in Arrow of God "serves to create through an echo effect the judgement of a community upon an individual violation."[134] The use of such repetition in Achebe's urban novels, No Longer at Ease and A Man of the People, is less pronounced.[134] Achebe's short stories are not as widely studied as his novels, and Achebe himself did not consider them a major part of his work. In the preface for Girls at War and Other Stories, he writes: "A dozen pieces in twenty years must be accounted a pretty lean harvest by any reckoning."[135] Like his novels, the short stories are heavily influenced by the oral tradition. They often have morals emphasising the importance of cultural traditions, as influenced by folk tales.[136] Use of English During decolonisation in the 1950s, a debate about choice of language erupted and pursued authors around the world. Achebe's work is scrutinised for its subject matter, insistence on a non-colonial narrative, and use of English. In his essay "English and the African Writer", Achebe discusses how the process of colonialism—for all its ills—provided colonised people from varying linguistic backgrounds "a language with which to talk to one another". As his purpose is to communicate with readers across Nigeria, he us