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When Sol Cohen bought both Amazing and Fantastic in early 1965, he decided to maximize profits by filling the magazines almost entirely with reprints. Cohen had acquired second serial rights from Ziff-Davis to all stories that had been printed in both magazines, and also in the companion magazines such as Fantastic Adventures. Joseph Wrzos, the new editor, persuaded Cohen that at least one new story should appear in each issue; there was sufficient inventory left over from Goldsmith's tenure for this to be done without acquiring new material. Readers initially approved of the policy, since it made available some well-loved stories from earlier decades that had not been reprinted elsewhere.[94] Both of Wrzos's successors, Harry Harrison and Barry Malzberg, were unable to persuade Cohen to use more new fiction.[95] When Ted White took over, it was on condition that the reprints be phased out. This took some time: for a while both Amazing and Fantastic continued to include one reprint every issue; with the May 1972 issue the transformation was complete, and all stories were new. As well as eliminating the reprints, White reintroduced features such as a letter column and "The Clubhouse", a fanzine review and fannish news column. He continued the book review column, and a series of science articles by Gregory Benford and David Book. Whhite was willing to print a variety of fiction, mixing traditional stories with more experimental material that was influenced by the British New Wave or by 1960s psychedelia. In 1971, he serialized Ursula K. Le Guin's The Lathe of Heaven, about a man whose dreams can modify reality. One writer influenced by this was James Tiptree, Jr., who later wrote that "after first plowing into the first pulpy pages of the 1971 Amazing in which Lathe came out, my toe-nails began to curl under and my spine hair stood up".[97] White's willingness to experiment led to Amazing running more stories with sexual content than other magazines. One such story, White's own "Growing Up Fast in the City", was criticized as pornographic by some of Amazing's readers. Other stories, such as Rich Brown's "Two of a Kind", about the violent rape of a black woman and the subsequent death of her rapists, also led to controversy. White printed more conventional fiction as well, much of it