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If you no longer wish to receive these emails, you may unsubscribe by clicking here or by writing to ort film is a film with a low running time. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits".[1] In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35 mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term. Geraldine Chaplin and Salah Zulfikar in Nefertiti and Akhenaten, a short film released in 1973 The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by film grants, nonprofit organizations, sponsor, or personal funds. Short films are generally used for industry experience and as a platform to showcase talent to secure funding for future projects from private investors, a production company, or film studios. They can also be released with feature films, and can also be included as bonus features on some home video releases. History William Garwood starred in numerous short films, many of which were 20 minutes in length This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2018) (Learn how and when to remove this template message) All films in the beginning of cinema were very short, sometimes running only a minute or less. It was not until the 1910s when films started to get longer than about ten minutes. The first set of films were presented in 1894 and it was through Thomas Edison's device called a kinetoscope. It was made for individu

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on turning 18 years old, Eilish thought about wearing less oversized clothes. She believed that her detractors would not stop shaming her body anyway, potentially being called a slut, a "fat cow", and a hypocrite who was selling her body, if she were to do so.[7][8] In response, Eilish, who had been using her platform to spread body positivity and counter the culture of body shaming, wrote and produced the short film Not My Responsibility. It addresses misogynistic double standards placed upon young women's appearances, with focus towards public discussion around Eilish's body.[9][10][11] A spoken-word piece,[12] Not My Responsibility premiered during the Miami date of her Where Do We Go? World Tour on March 9, 2020, as a concert interlude.[13][14] The film was uploaded onto Eilish's YouTube channel on May 26, 2020.[15] Uproxx music editor Derrick Rossignol wrote that, at the time of its release, the film marked Eilish's "biggest statement" about body shaming in her career.[9] Synopsis Refer to caption Billie Eilish in baggy clothing, 2020 Refer to caption Eilish in traditionally feminine clothing, 2021 Not My Responsibility is set in a dimly lit room and begins with Eilish in a black jacket. As electronic music plays in the background, she gradually undresses until she is in nothing but a necklace and a black sleeveless shirt. She takes off the shirt and reveals a black bra underneath. Slowly, Eilish submerges herself in a pool of black water and resurfaces, fully covered in the substan

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ning a new contract with Republic Records, Swift began re-recording her first six studio albums in November 2020.[31] The decision followed a public 2019 dispute between Swift and talent manager Scooter Braun, who acquired Big Machine Records, including the masters of Swift's albums which the label had released.[32][33] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use and therefore substituted the Big Machine–owned masters.[34] Swift and Christopher Rowe produced the re-recorded track, which was recorded by David Payne at Black Bird and Prime Recording Studios in Nashville. Rowe recorded Swift's lead vocals at her home studio in London, and Serban Ghenea mixed the track at MixStar Studios in Virginia Beach, Virginia. John Hanes engineered the track, and Derek Garten and Lowell Reynolds were credited as additional engineers. Instruments and their corresponding musicians on the re-recording include acoustic guitar (Mike Meadows), bass guitar (Amos Heller), drums (Matt Billingslea), piano (Paul Sidoti), and string (Jonathan Yudkin).[35] The re-recording of "White Horse", subtitled "Taylor's Version", was released as part of Fearless's re-recording, Fearless (Taylor's Version).[36] Swift contacted singer-songwriters Olivia Rodrigo and Conan Gray to preview a snippet of "White Horse (Taylor's Version)" on their social media on April 8, 2021,[37] one day before Republic Records released Fearless (Taylor's Version).[38] "White Horse (Taylor's Version)" charted in Canada (72)[27] and Australia (99),[39] and it peaked at number 111 on the Billboard Global 200.[40] In the United States, the re-recorded song peaked at number two on Bubbling Under Hot 100[41] and numb

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