Tuesday, July 18, 2023

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vacation, he wrote his first novel, Clipped Wings. It has never been published, and only fragments remain, although parts of it were recycled in other works, such as Tropic of Capricorn.[15] A study of twelve Western Union messengers, Clipped Wings was characterized by Miller as "a long book and probably a very bad one."[16] In 1923, while he was still married to Beatrice, Miller met and became enamored of a mysterious dance-hall ingĂ©nue who was born Juliet Edith Smerth but went by the stage-name June Mansfield. She was 21 at the time.[17] They began an affair, and were married on June 1, 1924.[18] In 1924 Miller quit Western Union in order to dedicate himself completely to writing.[19] Miller later describes this time – his struggles to become a writer, his sexual escapades, his failures, his friends, his philosophy – in his autobiographical trilogy The Rosy Crucifixion. Miller's second novel, Moloch: or, This Gentile World, was written in 1927–28, initially under the guise of a novel written by his wife Juliet (June).[20] A rich older admirer of June, Roland Freedman, paid her to write the novel; she would show him pages of Miller's work each week, pretending it was hers.[21] The book went unpublished until 1992, 65 years after it was written and 12 years after Miller's death.[20] Moloch is based on Miller's first marriage, to Beatrice, and his years working as a personnel manager at the Western Union office in Lower Manhattan.[22] A third novel written around this time, Crazy Cock, also went unpublished until after Miller's death. Initially titled Lovely Lesbians, Crazy Cock (along with his later novel Nexus) told the story of June's close relationship with the artist Marion, whom June had renamed Jean Kronski. Kronski lived with Miller and June from 1926 until 1927, when June and Kronski went to Paris together, leaving Miller behind, which upset him greatly. Miller suspected th

Saturday, July 15, 2023

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The methods and policies by which this data is obtained and compiled have changed many times throughout the chart's history. Although the advent of a singles music chart spawned chart historians and chart-watchers and greatly affected pop culture and produced countless bits of trivia, the main purpose of the Hot 100 is to aid those within the music industry: to reflect the popularity of the "product" (the singles, the albums, etc.) and to track the trends of the buying public. Billboard has (many times) changed its methodology and policies to give the most precise and accurate reflection of what is popular. A very basic example of this would be the ratio given to sales and airplay. During the Hot 100's early history, singles were the leading way by which people bought music. At times, when singles sales were robust, more weight was given to a song's retail points than to its radio airplay. As the decades passed, the recording industry concentrated more on album sales than singles sales. Musicians eventually expressed their creative output in the form of full-length albums rather than singles, and by the 1990s many record companies stopped releasing singles altogether (see Album Cuts, below). Eventually, a song's airplay points were weighted more so than its sales. Billboard has adjusted the sales/airplay ratio many times to more accurately reflect the true popularity of songs. Double-sided singles Billboard has also changed its Hot 100 policy regarding "two-sided singles" several times. The pre-Hot 100 chart "Best Sellers in Stores" listed popular A- and-B-sides together, with the side that was played most often (based on its other charts) listed first. One of the most notable of these, but far from the only one, was Elvis Presley's "Don't Be Cruel" / "Hound Dog". During the Presley single's chart run, top billing was switched back and forth between the two sides several times. But on the concurrent "Most Played in Juke Boxes", "Most Played by Jockeys" and the "Top 100", the two songs were listed separately, as was true of all songs. With the initiation of the Hot 100 in 1958, A- and-B-sides charted separately, as they had on the former Top 100. Starting with the Hot 100 chart for the week ending November 29, 1969, this rule was altered; if both sides received significant airplay, they were listed together. This started to become a moo